CARPI / COMMERCIAL / NAIL SALON

CARPI NAILBUDGET, EXISTING MATERIALS AND A NEW ORDER

An original commercial interior by KORE DESIGN in Carpi, Italy. The project begins with existing site conditions and uses a controlled investment to connect function, material and everyday operation.

01 / PROJECT INTRO

Keep what is right,
and spend where it can truly change the space.

CARPI · ITALIA / KORE DESIGN
Overall view from the CARPI NAIL entrance towards the workstations, waiting area and existing brick wall
NAIL SALON / CARPIRETAIN · SELECT · RECOMPOSE
02 / THE BRIEF

Design does not begin by adding form,
but by deciding what is worth keeping.

The two young owners wanted to control the total investment without creating a conventional nail salon; the landlord asked for minimal changes to the existing structure. We therefore reassessed what the site already offered and where a limited budget could have real impact.

  • LOCATIONCarpi, Italy
  • TYPENail Salon / Commercial Interior
  • DESIGNKORE DESIGN
  • FOCUSReuse / Budget / Material Relations
03 / EXISTING SPACE

The old space was not cleared
to start again.

Existing brickwork, structural relationships and light tiles remained on site. Rather than covering every trace, we assessed their condition and usability before introducing new materials.

01
RETAINRetain

Identify the useful parts of the brickwork, old floor and structure so they remain active in the new interior.

02
SELECTSelect

Concentrate limited investment where it changes experience, lighting and function instead of spreading it evenly.

03
RECOMPOSERecompose

Bring ready-made furniture, cane, dark timber and essential bespoke work into one material order.

04 / DESIGN STRATEGY

Retain, select,
then recompose.

The design does not rely on one formal gesture. The open centre, wall-side workstations, existing brick and new furnishings are recomposed so functions are legible and daily operations remain smooth.

05 / MATERIAL LANGUAGE

The relationship between materials
matters more than their number.

Existing brick contrasts with fine textured plaster; dark timber lowers the visual centre, cane adds breathable detail and ivory walls carry daylight. Vintage lights are not a decorative theme but luminous points that connect the materials.

  • 01Existing brick
  • 02Dark timber + cane
  • 03Warm textured plaster
  • 04Ivory walls + vintage lighting
Recessed polish display and dark timber cabinet within the ivory textured wall
MATERIAL DETAILART PAINT / DARK TIMBER / DISPLAY NICHE
CARPI NAIL dark timber workstations, cane chairs, petal pendants and ready-made storage
06 / BUDGET AS DESIGNREADY-MADE + SELECTIVE CUSTOM
06 / BUDGET AS DESIGN

Budget control
becomes part of the design strategy.

The project does not rely on extensive costly joinery. Selected ready-made tables, chairs, cane cabinets and vintage lights enter one spatial language; bespoke work is reserved for workstations, display niches and points where function requires it.

READY-MADE
Furniture, tables, chairs, cane storage and lighting
CUSTOM
Workstations, display niches and key junctions
PRIORITY
Reserve investment for light, function and long-term use
07 / FUNCTION

A space needs character,
and it must work well.

Manicure stations line the wall and polish displays are recessed into it. The centre remains open while reception, waiting, display and storage are naturally organised. A timber platform defines the pedicure area.

08 / THE EXISTING FLOORAfter removing the timber floor, the light tiles beneath were found to be in suitable condition and colour for reuse.

Rather than laying a new floor, the existing tiles became part of the material system. This avoided unnecessary demolition and returned the savings to places with greater spatial impact.

09 / LIGHTINGAtmospheric light and the illuminance required for nail work need to coexist.

Petal pendants, round wall lights and concealed strips build warm layers, while general ceiling lighting ensures working levels. Daylight enters through the large glazing; at night the lighting brings out timber, cane and brick.

10 / SPATIAL CONTINUITY

From entrance to back of house,
the spatial language remains continuous.

Reception carries identity and welcome; the back-of-house corridor continues the curved edges, light floor and dark timber details. Even as functional density changes, material, proportion and circulation remain one system.

CARPI NAIL reception, curved textured wall and entrance glazing
01 / RECEPTIONCurved interface, reception and entrance
Back-of-house corridor with existing light floor and dark timber coat rail
02 / BACK OF HOUSECurved edges, retained floor and back-of-house circulation
KORE DESIGN / PROJECT POSITION

Keep what is right,
and spend where it can truly change the space.

Existing materials are not a compromise but part of the new spatial relationship.